I work with fiber and organic matter to make sculptures. A precise combination of crocheted double and half double stitches force mounds to extrude from the consequent tension. This technique allows the spherical to be constructed in rows instead of unanimous rounds. The result is starched and dried over molds, fixing the fibers while retaining flexibility.

rattle 11 (heart form), cotton, cornstarch, filled with glass gem corn kernels, 4150 sts, 6.5x7x2.5”, 2025

rattle 5 (hourglass form), cotton, cornstarch, dyed with lapsang souchong, filled with mung beans, 2800 sts, 2x10x2”, 2024

rattle 4, cotton, cornstarch, filled with acorns, 2304 sts, 3x4x2”, 2024

rattle 2, cotton, cornstarch, filled with jasper beads, 2880 sts, 3x5.25x1.75”, 2023

rattle 10 (double ring form), cotton, cornstarch, dyed with oolong, filled with kabocha squash seeds, 2496 sts, 5x5x2”, 2024

These works exist within a plexus of interests that twist together and share influence: intimacy with process and observation, permutation and repetition, control vs. chaos, sound, touch as a healing/creative/poetic modality, and resistance to capitalist wiring — meditation, cultivation of care, slowness, play, imperfection, interdependence, intuition.

© 2023-2025

I work with fiber and organic matter to make sculptures. A precise combination of crocheted double and half double stitches force mounds to extrude from the consequent tension. This technique allows the spherical to be constructed in rows instead of unanimous rounds. The result is starched and dried over molds, fixing the fibers while retaining flexibility.

rattle 11 (heart form), cotton, cornstarch, filled with glass gem corn kernels, 4160 sts, 6.5x7x2.5”, 2025

rattle 5 (hourglass form), cotton, cornstarch, dyed with lapsang souchong, filled with mung beans, 2800 sts, 2x10x2”, 2024

rattle 4, cotton, cornstarch, filled with acorns, 2304 sts, 3x4x2”, 2024

rattle 2, cotton, cornstarch, filled with jasper beads, 2880 sts, 3x5.25x1.75”, 2023

rattle 10 (double ring form), cotton, cornstarch, dyed with oolong, filled with kabocha squash seeds, 2496 sts, 5x5x2”, 2024

These works exist within a plexus of interests that twist together and share influence: intimacy with process and observation, permutation and repetition, control vs. chaos, sound, touch as a healing/creative/poetic modality, and resistance to capitalist wiring — meditation, cultivation of care, slowness, play, imperfection, interdependence, intuition.

© 2023–2025